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| Damo (the producer of this project) tweaked the spreadsheet |
The main changes were the deadlines for cleanup and colour as we realised we needed more time, we also planned it so that we'd be done a week before the deadline to polish things up a bit and for last-minute changes.
We were also unable to book out microphones (also it would've been a disproportionate effort for something with so little impact to the film) so Ellie, our musician, came up with the idea to pitch down the previous gasps she had recorded. It's not ideal, but it's time-efficient and it works.
Another hurdle we had to overcome during the colouring stage was the weird anti-aliasing interfering with the fill tool (I'm not sure of its official name), I came up with a not-so-effective-but-it-helps type of solution which I thought would make it less of a strain to correct. This tip works particularly well when dealing with flats of more than one colour:
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